Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts


Although released in '71, I was quite surprised of the contemporary feeling I got while watching Harold and Maude (ex. it is unusual for a character to look directly into the camera, as if he was addressing the viewer). 

The witty black humour of Harold, in opposition with the youthful, energetic and rebellious Maude gave exactly the reverse effect their age would make us suspect: a young man obsessed with death and an older woman full of life. It is not a coincidence that they meet at a funeral, but the motivation behind their strange attraction to graveyards comes from totally different places. Maude talks about the beauty of the cycle of life, while pale Harold, because of a childhood trauma, is left with this dark fascination. 

Ruth Gordon is excellent and because of her very personal and charismatic portrayal of Maude, the plot, against all odds, becomes authentic. The beliefs of open-minded Maude fit right into certain nowadays trends, which is also a good reason for why this movie feels up-to-date. 

I also liked the music of Cat Stevens ;).





The post was triggered by a set of pictures I recently saw of Bradley Cooper and his latest girlfriend taken in Paris, although this reality is surrounding us every day. The dynamics of relationships with a considerable age gap have actually inspired some of my all-time favourite movies and even now they still hold the power to shock us.

I give you a list of these personal choices, including not only my crème de la crème, but some extremely popular duos which came to mind.


Lester Burnham (Kevin Spacey) & Angela Hayes (Mena Suvari) in

American Beauty











The association of these two movies seems quite random, and it actually is. I just happened to watch them one after the other, which is maybe why I found some (random) similarities and big differences.

Well of course I liked the French one much better, but actually succeeded in falling asleep by the end of Baz Luhrmann's last one. I can't call myself a true Xavier Dolan fan either, but Laurence Anyways I liked, really enjoyed it, even though it is almost 3 hours long. In general I would postpone a time-consuming movie like this until maybe it somehow gets lost and all those precious minutes don't get used up by a single film. But I had the luck of looking at the clock only towards the end, when it didn't really matter anyhow, because the longer it lasted, the more visually and emotionally delighted I felt.

Now Gatsby on the other hand is similarly bright and colourful, the soundtrack was also a pig part of the project and it is a love story as well, but in comparison it felt cold and it got me wondering what other more useful things they could have done with a large portion of the budget, I got the sense of too much for too little. Although I enjoyed the music of Moulin Rouge! and the intention of "modernisation" with contemporary songs, this time I was not impressed. Dolan did a much better job in my opinion and the soundtrack of Laurence is absolutely memorable.

Watching these two consecutively I just couldn't help but notice the enormous difference between the female characters (reference to the changing status of women throughout the century): while Daisy gives the impression of a powerless woman whose fate is written solely by the men in her life, Dolan's (by the way, he is only 24 and has directed three successful movies until now!!) leading ladies are strong and independent. I really liked the character of Fred played by Suzanne Clément and the struggle she experienced between trying to "be normal", conform to society's prescriptions, and staying true to the feelings she had for her (wo)man.

I could go on and on about Laurence Anyways, but instead I urge you to watch it. That is only if you are not a homophob. If you have those kind of reluctances, you would be better off sparing yourself the frustration.



Laurence Anyways


Fellini's Amarcord

Here are some of my personal favourite movies which always get me in the mood for Italy: 


Stealing Beauty


A funny, humble production with actors mostly familiar from playing small parts in other movies. Preferable to watch on a random day, at random time, to be in tune with the spirit of the film.



At first I was annoyed by the characters, the whole script seemed so disconnected from reality, and the way it was filmed made me dizzy... I suddenly started feeling anxious. Just when I was about to give up on it, the strange world of David O. Russel settled in and became real. I don't know exactly when it happened, but afterwards the feeling of anxiety vanished and a curiosity for what will happen took over.

Brilliant acting, it all seemed to make sense once you get the hang of it, and the main characters, complex and disturbed, started to become loveable. Jennifer Lawrence is just a natural in my opinion, she made it look so easy... Bradley put more thought into it but nevertheless did a great job.

And then I couldn't help but compare it to I Heart Huckabees. I tried to watch that movie before and after Silver Linings, but just couldn't. O. Russel lost the rhythm in that one, because his peculiar world never became real to me, and that is why I stopped at some point and just couldn't watch it any more, totally annoyed because of the time I lost by trying to connect and not getting anything out of it. And what he missed there, worked just like magic in this unusual love story.

So it all fits and the amount of strangeness constitutes the salt and pepper which makes this movie an instant classic. And it is the type of film which you can watch over and over again :)




The only authentic way of making a ‘MUSICAL’ without completely loosing the connection with reality. Regarding technical aspects, acting and storyline, the movie doesn't bring anything special… But the music, oh, the music! It’s a film about listening to, making, hearing music. The miracle of composing something that speaks to others, music that comes from, and moves the spirit. The joy of mixing sounds as a group, of improvising and enrichening the pieces, while they become a whole… It felt sincere, simple and believable. You can’t really say this often about the genre. Did I mention the MUSIC?

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